lava lamp timeline
    by Jonas Goo
 

1960s      1970s       1980s       1990s
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L   E   G   E   N   D   :
Years
General information
Model Names
Descriptions
Variations known/seen
Color Combinations - Lava color/ Liquid color
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Near 1965

Adolph Wertheimer and Hy Spector bring Astrolight idea and manufacturing rights, given by inventor Craven Walker, to the USA; start Lava Corp. and coin name Lava Lite.
First lamp in the USA released and marketed as store advertising gimmick for displays.
"LAVA LITE sells... on sight!"   ...or...   "You're always right with LAVA LITE!"

The Century
A 17" tall lamp based on the original Astro made by Craven Walker in the UK. A tapered brass cone dotted with pinholes for a "starlight" effect, with a short open cone above. The bottle sits in the upper cone and is itself a tall, tapered cone with a brass-colored plastic cap. The base sits on a black plastic "tray" with three short feet.
Known variations: Early version with two-part base, a top cone attached to a cylinder that slid into the bottom cone. Some early bases appear to be copper finish; there is no evidence to support the idea that it was ever a production finish.
The 1st edition of the company's newsletter to sales reps, the LAVA LITER, shows beside the letterhead a group of lamps, one a Century, the other two appear to be what might happen if the early Century's inner cylinder/top cone was slid into other bases, one a "flying saucer" with plants, the other a sort of rocketship look. However, the 2nd edition, one month later and after the new Lava Lite line came out, shows as its header logo another group of 3, the Consort, Decorator Aristocrat, and Empress.
Red/ Flourescent green
Orange/ Yellow
Green/ Blue
Red/ Clear
Yellow/ Green-blue
Shortly after, a "new" color combination was added:
"Champagne Mist" (Cream/ Pale amber)
 
 
 

1966

New models...

Aristocrat
More restrained version of Century; no footed black tray, more elegant base sometimes called an "hourglass" form. Same bottle. Base and cap are "porcelainized" white with gold squiggly lines painted all over.
Known variations: Aristocrat with black painted base/cap with gold squigglepaint. Aristocrat with black base/cap with squiggles that are visible as texture, but are black too. Known variations on white/gold Aristocrat include a gold-finish cap as shown in catalogs, and "starlight" holes in the lower base cone, an addition that the revised gold base 1970s lamp would include.  The silver version is available in the shop.

Decorator (Aristocrat)
Same form as above lamp, with addition of round bowl-shaped tray attached at midpoint of base. Tray is supposed to hold plantings which the homemaker could change to suit any mood. Lamp was not supplied with plants; sales literature suggested marketing to florist and gift shops where rings of plastic flowers were sold.
Known variations: Decorator with black porcelainized finish cap/base with gold squigglepaint. Standard model's flower bowl had a sharp edge, i.e., slightly upward curved bottom and straight sides with rolled top rim. Variation has smoothly upward rounded outer edge on bowl, rolled rim.

Consort
Small "economy" model. A 14" tall cylinder. Brass base has slightly larger "rim" to hold bottle in place. Base cylinder is mounted on short brass "stem" which is attached to square walnut wood pedestal.
Known variations: The Consort was shown in most catalogs with a square walnut wood base and a straight brass stem. Another stem seen on occasion is the curved "hourglass" stem. Other bases that turn up include the square plastic woodgrain-look base and round curved-edge woodgrain-look base. Another rare variation shown in a catalog and (rarely) turning up on the market has a walnut wood "mansard roof" shape base, and a woodgrained plastic cap. While the catalog shows a straight post, one on the market showed an "hourglass" post. The cap is shorter than usual.

Meditation Series (also called Prayer Lites)
Consorts in form and appearance, with the addition of a screened religious motif on one side of the bottle. One model had a simple, contemporary Cross; the other, a simple seven-arm Menorah, both in black. "For those moments of peace and meditation"

The Nite Lite (Child's Nite Lite)
Again, a Consort in general appearance, this lamp, perfect for a child's bedroom or playroom, had a happy, stylized juggling clown printed in black on the bottle.
A variation which may or may not be original shows a clown with more black areas than shown in catalogs. As no catalog evidence has turned up, this may simply have been a lamp owner's modification.

The Princess
A Consort bottle, cap and base cylinder attached, via a stem on one side, to a rectangular walnut panel, to be mounted on a wall. The panel had a mirror-like grid-pattern "reflector" behind the bottle, and under the base cylinder was a turn switch. Base and cap in silver instead of brass.
There may be a variation (uncomfirmed) that has no switch, and has the base supported on a metal stem that comes out the bottom and bends 90 degrees into the walnut panel. A design like this would need sturdy support where the stem attaches to the panel, else the cup/globe unit might get loose and swivel, leaving it hanging upside-down and likely dropping the globe!

The Regency
22" tall version of Consort. Wider bottle and base/cap. Cap is stepped, slightly art deco. Metal cap.

The Empress
A wall sconce version of the Regency, on the same lines and style as the Princess. Base cylinder has twin stems for support, also has switch beneath like Princess. Again, silver satin metal is substituted for brass satin metal. Metal cap.  The Regency and The Empress were known, together, as The Royal Series.

The Continental
Model heated by a candle! Two versions; earlier style "pineapple" had bulbous shape, mounted in metal "collar" at top and bottom, said by catalogs to be available in red, green or yellow glass (see Variations notes below).
Later variation "rocket" had all-glass base, shaped like cone on cone (wider at middle), red green or yellow textured glass, with four metal "rocket fin" legs attached to the sides, and metal collar at top. On both styles, top collar has pattern of holes for ventilation; both lamps use Consort/Princess bottle and cap. Once the candle in the base was used completely, a new candle base had to be attached. On later style, the glass base unscrewed from the top collar. On the early version, the glass base unscrewed from the top collar, and the bottom collar also unscrewed, as it was kept when the base was changed. Continental has silver metal. Continental sold as the "Continental Gift Pack", which came with one bottle, base and collar, and two candle units. Candle bases and globe units (bottles) were "color coordinated"
Red glass, red/clear
Green glass, green/blue
Yellow glass, "Champagne Mist"

The Savoy
Same as Continental; sold to resturant/nightclub trade. Same two styles depending on age. Has gold metal instead of silver.
An interesting note is that all models I have seen turn up so far on the market - all two of them (these are VERY rare) - had a "pineapple" type base, but on one the base was frosted white ONLY, and was not textured, and on the other the base was clear smooth glass. It is unclear as to the exact style, color and such of the real bases.

The Imperial
The infamous gigantic lamp! This huge model stood 47" tall. Its bottle was a cylinder with a pointed-domed cap and a cone base cup. The base cup was set into a 15" walnut "table", just wide enough for cocktails or an ashtray. This table had as its support three long, tapered walnut legs, with brass swivel feet. All metal was satin brass. Metal cap. Early catalogs say that it has "white enameled metal". Perhaps this was changed, as the Continental and Savoy base designs were, sometime into production?
Rumor unverified: Collectors' rumor states that a 1960s lamp, unspecified as to which one, contained a keywound music box that played a Peter, Paul and Mary song. If anyone knows the truth on this, let me know...

All these models plus Century available in:
Red/ Clear
Green/ Blue
"Champagne Mist". Champagne Mist is described in catalogs as "A cream base (lava wax) in a pale amber liquid - a truly enchanting combination"
Unknown if Century was still available with:
Yellow/ Green/Blue
Red/ Green
Orange/ Yellow
One of these plus two of the standard 1960s line colors became the three standard 1970s line colors.
 

for additions and questions, contact Jonas Goo
 
 

1960s      1970s       1980s       1990s